• Per Ove Sleen

  • STUDIO45

    Studio45 is a one man outfit supplying art illustrations and design on a high and professional level. Besides publishing all sorts of art and graphics (print & web), I also write, perform and publish music. Studio45 Produces and publishes graphic novels and subsequent video productions of the same novels for web and the commercial print market. Podcast and vidcast are in the workings.
  • STUDIO45 on Flickr

Watercolours added to the page test

I printed the inked version I scanned on a proper watercolour paper, and dabbed some colours on.
Then I scanned that back in, and layered the inked version over in multiply mode.
This is the result.

coloured page test

coloured page test

All hand drawn and painted, but on respectively there for prepared paper, thanks to digital technique.

Ink and paper makes my day sometimes

These two pictures, are something I did one day I didn’t really have an agenda.
Ink and paper always get my juices going.

This native American, is done with a picture I found in Vanity fair as reference.

 

I was inspired by a story about Napoleon and one of his most trusted marshals and cavalry officer Murat.
According to history a dashing personality on the battle field as well as in the ballrooms of Paris.
Also a key figure in many of Napoleons battles.

I just pencilled everything first as usual, and then went over it with an ink pen for the line work, rubbed down the left over pencil stuff, and slabbed the rest with an Nr. 12 brush and bottled Indian ink.

Osamma Bin Ladens grandadd

 

Once again I’ve been sketching and playing around with ink and brushes…
To be honest I don’t even know if the guy had a granddad (recon he did though, most of us do) . Being a man of fantasy (delusional my mom says), this is how I imagine him.
The next drawing is just some violent hero guy, with a gun. Also done with ink and a brush.

 

My band

Back on a drawing board again. first real drawing I did in a long time. It is done with black Indian ink and brush on a Bristol board A3. The yellow color has been added digitally..
It shows two of my band members and myself in the middle.

Second Studio45 Gallery on Behance

This is the second gallery we open in just as many days on Behance .

This exhibition is a peek in to our new graphic novel “The St. Pauli Blues”

Studio45 opens its first Behance Network Exebition

Today I opened up my new account on Behance Networks,
and to celebrate I put up an exhibition of pictures from over
the last 5 years of learning to draw

Coming at'ya

Training my inking and drawing skils

Howdy folks (Been listening to western novels audiobooks lately), It`s been a while since I last put out something here on My studios blog, but hey! what can I say….I`ve been busy in the real world (you know that tiresome rainy reality outside your door :).
For the last couple of weeks I have been exclusively practicing my inking skills. I do drawings of anything that comes to mind, only to ink them for practice sake.
Now  here are some of the best ones scanned out of my sketch pads ore bits of paper scraps where they started their life. They`re all done on cheap paper of all sorts (what ever was at hand at the given moment), and that has had quite an impact on the end result (bleeding lines and such).
They were all done in more or less the same fashion. First roughly sketched with pencil. Then I take an eraser and halfway erases the drawing `til I can just about see it. Then I outline it with an 0,1 ink pen before I go ahead with ink and brush to bring in dynamics and weight. Afterwards I go over it with the 0,1 again for a little hatching here and there to underline stuff.
Before I start a drawing (even these sketches) I nearly ALWAYS do a few thumbnails and a couple of studies to establish eventual composition and placement together with the play of light and shade. Also to get to grips with shapes and lines I haven`t done previously or have little practice with, just to get it in to my hands and eyes before I go ahead…..

I have done a little cleaning up of the scans in Photoshop, and then added some colored overlay and grading, but that`s it. Every sketch appear as it was drawn by hand on paper.

I realized during this session that inking with a big fat brush, really adds weight and dynamics to the mix. And it does so in a lot better way than any other medium or technique I have ever encountered or tried.
The big brush delivers little “accidents” on a regular basis that really adds huge amounts of nonchalant randomness to make the drawing alive and believable.  That huge sable brush is a regular drama hose. It really changes the whole impact and feel of the work.

The conclusions I draw from these sessions, are that I still have a long way to go before I have established a steady and easily recognizable drawing style. I also need to work more on my hatching in order to get it a little slicker and also need to experiment a little more on where to use hatching and not.

I realize that there is a lot of influence from people like Frank Miller, Will Eisener, Quesada, Mignola and such in the stuff I draw, but I also can see that as I keep drawing and rehearsing my skill set, the style slowly becomes my own unique one…..