• Per Ove Sleen

  • STUDIO45

    Studio45 is a one man outfit supplying art illustrations and design on a high and professional level. Besides publishing all sorts of art and graphics (print & web), I also write, perform and publish music. Studio45 Produces and publishes graphic novels and subsequent video productions of the same novels for web and the commercial print market. Podcast and vidcast are in the workings.
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Watercolours to go

I have for the last six month been heavy in to teaching myself watercolour techniques to an extend where I can ad colour to my illustrations/comic pages.

A view from the garden

A view from the garden

 

This is a view from the garden of the house I am residing in at the time in El Paso.
In the back one can see Los Llanos..
This is a motive I’ve already painted, drawn and photographed various times over and over.
Here’s another variation on the motive.

Garden view

Garden view

The first one is done on Bristol board, the second on on regular cheap watercolour paper.
They’re both done with a combination of watercolours and ink & brush/markers/ink pens.

The next one is a fantasy scribble I did on cheap sketch paper.
Just called it the Hag….:)
Apart from the paper, it’s done the same way as the two others.

Hag

Hag

The reason I mix the two techniques (ink & watercolours), is of course to use it for my graphic novels.
I was always inspired by people like Giraud, Hermann Huppen and similar stuff.
Lt. Blueberry was one of my biggest heroes back in the 70’s.
I grew up on the Norwegian west coast during the 60’s and 70’s, with no access to any cultural outputs. My mom saved my sanity by getting me weekly quality comics. Thanks mom…. :)

 

Sexy swords woman and progression

Once again we’ll have a quick look at what I’m doing, and how my progress in mastering watercolours are developing.
As you can see at my desk below, I keep busy and are hard at practising.

My little workspace well littered with work and practice projects

On the computer, you can see a nearly finished poster job I do for a local band (below) called “HardAnger”.

On the smaller pad, you can see yet another study of the girl I call “the Baader twin”, whom will be featuring in my ongoing series The St. Pauli Blues next episode (there is already two finished albums in the series, I am trying to get published these days).

Another study of the Baader twin. Assassin, all over good looking and a psychopath of dimensions....

The big pad is a watercolour project I’ve been contemplating for some time, and witch I seam to go rather slowly about. Beneath you can see the first pencil draft, penned in with a 0.2 UNI P/N fine line, and I have started brushing in some colour.

Watercolour project long contemplated, slowly materializing....

Before I do something as detailed and elaborate as this, I will mostly do a few thumbnails and ink sketches.
This to see what I want to do, and how to get there. Beneath you can see the once I did for this Indian in his canoe. These led to the big one in work.

Thumbnails and ink sketches done as pre studies for the watercolour piece I'm working on at the moment.

The last shot (I have no scanner available to me at the moment, ending up having to shoot these pictures with my HTC smartphone) below, is the WC (watercolour) picture with some more ink. I will proceed with more black to the straws in the foreground. Down on the left side, then let it fade in to negative space as we move in to the light source coming in from the right above.

The watercolour picture with some weight in form of shadows added by my ink brush.

I will try to keep you posted on this one as I move along. I am aiming for something along the lines of early Jean Girard/Moeibus. Like the work he and his staff did in the Blueberry series….Gonna have to slave hard for that one I guess.
That’s it folks, stay tuned I’ll be back…..hopefully  :)

Ink and paper makes my day sometimes

These two pictures, are something I did one day I didn’t really have an agenda.
Ink and paper always get my juices going.

This native American, is done with a picture I found in Vanity fair as reference.

 

I was inspired by a story about Napoleon and one of his most trusted marshals and cavalry officer Murat.
According to history a dashing personality on the battle field as well as in the ballrooms of Paris.
Also a key figure in many of Napoleons battles.

I just pencilled everything first as usual, and then went over it with an ink pen for the line work, rubbed down the left over pencil stuff, and slabbed the rest with an Nr. 12 brush and bottled Indian ink.

Ink and watercolours

Here is a few sketches of various characters from various projects I am working on or contemplating.
As you can see I am once again trying to get in to water colours. I don’t have access to my drawing/painting gear at the time being. This makes things a little problematic. But I make use of what I can find or scrounge, and have bought a few cheap additions.

The paper is real crap, and of lowest price/quality. Same goes for the brushes. I have one acceptable one, but I use that for inking.
Pens for the line work is also a constant problem. I usually have three real good once I’ve bought over the years, and I keep refilling them (for this I need ink of high quality, real black and with as tiny pigments as possible in order to pass through the pens feeding system).

Dystopia, futuristic SciFi and a Hoover 742 fountain pen

Once again I have committed a watercolour painting in the steadfast belief that it will improve my skill set.
Again I have used the usual suspects of tools, Ink, watercolour, brushes and a few Copic and Touch markers.

A friend gave me a very neat little gift the other day.
He was helping to clean out a villa after someone died, and as he was going on he found an old messed up pen on the floor in the cellar. Took it home and later gave it to me. All I had to do was clean it in water and refill it (got a plunger patent).

T’was a Hoover 742 fountain pen the best tool I’ve had for fine lining so far.
One can keep filling it up (ink is cheap in big bottles), and it has the most amazing dynamic line quality.
After getting used to it ( handles a little harder then the average fine line pen like Pilot V-Ball or Faber-Castell Vision 1476 micro and their likes), it is by fare the best tool for this kind of stuff (inking the fine lines in my comic drawings) I’ve had so fare. It handles a lot easier than for instance the regular nibs used a lot in comic inking, but leaves a dynamic line that can compete.

 

 

Sexy bitch with a “katanga”, Blunt violence and down right posing

Here’s a few quick sketches I’ve cut out of my day to day production of such. The two first ones, are the start of a character design for “The St. Pauli Blues” , and the rest are just studies. I do’em small (about hight of a pen), and concentrate on getting down the movement and pose….

They’re all drafted up with a ballpoint (Pilot), and the two first was rendered using a real lousy brush with india ink…the rest was done with a marker……

 

 

Osamma Bin Ladens grandadd

 

Once again I’ve been sketching and playing around with ink and brushes…
To be honest I don’t even know if the guy had a granddad (recon he did though, most of us do) . Being a man of fantasy (delusional my mom says), this is how I imagine him.
The next drawing is just some violent hero guy, with a gun. Also done with ink and a brush.