• Per Ove Sleen

  • STUDIO45

    Studio45 is a one man outfit supplying art illustrations and design on a high and professional level. Besides publishing all sorts of art and graphics (print & web), I also write, perform and publish music. Studio45 Produces and publishes graphic novels and subsequent video productions of the same novels for web and the commercial print market. Podcast and vidcast are in the workings.
  • STUDIO45 on Flickr

Finally a full day of work done.

The last two month since I came here to La Palma, I have been a lot on holiday. And I have to admit, very little work has been done.
The situation also being, me still not having found a place for myself where I can work undisturbed, has led to a lot of moving about. Hence not a lot of art or music has been produced.
But I am lucky to have a friend resident here on the island, whom have lent me her computer, scanner and flat with an internet connection.
Thus today I’ve done heaps and even managed to knock out a few drawings and a painting.

Pond-in-marsh_Watercolour

Pond-in-marsh_Watercolour

The first one here, is a watercolour piece I did over three days.
Like I just did a few min each morning, and this morning I felt it was ok.

Then again I am also constantly working on the characters for the new graphic novella I try to stitch together (still have no name for it as of yet).
Her’s a couple….

Protagonist

Protagonist

 

Bad-Guy

Bad-Guy

Just to show I am still at it.
Stay cool and keep an eye on my blog, more cool news are on the way.

Sexy protagonist for new graphic novel

Just to show that I am not on a permanent vacation, here is a drawing I did of one of my new characters I am doing for my new graphic novel idea (it’s just an idea at the moment)….

The main female character in a new idea I am working on

The main female character in a new idea I am working on

Ink and watercolours

Here is a few sketches of various characters from various projects I am working on or contemplating.
As you can see I am once again trying to get in to water colours. I don’t have access to my drawing/painting gear at the time being. This makes things a little problematic. But I make use of what I can find or scrounge, and have bought a few cheap additions.

The paper is real crap, and of lowest price/quality. Same goes for the brushes. I have one acceptable one, but I use that for inking.
Pens for the line work is also a constant problem. I usually have three real good once I’ve bought over the years, and I keep refilling them (for this I need ink of high quality, real black and with as tiny pigments as possible in order to pass through the pens feeding system).

Watercolor practice

 

 

So now there!
I’ve been at it again.
Watercolor is something I have decided I wanna integrate in my comic art, thus I need to practice in order to bring my skills to a marketable level.

 

Custer in colores

I am also in the process of teaching myself to use watercolors.
I find that they just like ink done with a brush, brings a liveliness to the picture that you (at least not I) will not be able to copy digitally.
And I find it stupid to try. Digital drawing and inking has its own characteristics, and it stands well on it’s own legs.

But the style I am aiming for has a lot of the old dynamics seen in works by masters of inking like Frazetta, Bernie Wrightson, Frank Miller, Jimmy Palmiotti and so on.
As fare as colors go, the stuff that really gets me going is old sci fi like Frazetta would color it.
With very clear colors, but very decent.

I am not sure how he and his likes did that, but another big influence as fare as colors go, is the old Blueberry comics from the 70’s done by Jean Giraud.
I know he mostly used water colors and ink wash to get the look he’s got.

As fare as choice of colors goes, there is a lot to draw from.
Watchmen is one of the best and most consistent color jobs I’ve seen in comics, and it is very well thought through.
I will study that among others.
In this picture I find the colors got too prominent, but it is only my third attempt at watercolors and I have lots to learn…..experience is a very good teacher, so here we go…

Reference is the mantra

Norway16 03 2008

Whenever you want to draw something you haven’t drawn before ore not for a long time, you like to have reference at hand in one form ore another.

JensanesetWhen drawing a person ore many persons I find that I like to have both, many pictures and the real live model accessible at any time.
The same goes for landscapes, interiors and exteriors.
But this is of course the optimal scenario, and it rarely occurs. So one is obliged to make do with what is accessible at any given time.

There are a lot of things that can make life easier for a poor illustrator, and over the years the situation has really improved with the web making it’s entry on to the scene and all.
But despite the web, books will always come in very handy. And I can not stress it enough how valuable they are, those huge cafe table books with real big pictures in them, fashion magazines (I usually ask my dentist and doctor if I can have the old magazines they toss from the waiting room.
It’s all kind of womans magazines, science magazines and some weird stuff. It’s great), old news yearbooks with pix in them, old catalogs, old comics, toy catalogs, tool catalogs and so on in that direction is also fantastic reference tools.

You should collect stuff like this as much as you can store. My feeling on this matter is that you can never get enough.
But don’t burn all your cash on this, I have another great source for you namely videos.

Movies are great sources for reference. You can freeze your picture on anything your heart desires and make a screen grab (if watching on a computer of course).

It is especially great for coming up with cool angles and perspectives.
I struggle with a very difficult matter in a comic at the moment and my video collection is a invaluable help in this case.
So always be on the lookout for cheap videos (even if it is a bummer at the box office and boring as he*&%¤.. the references can still be great).

But the one I use the most these days are the internet.
There seams to be absolutely nothing you can’t find a picture ore a video capture of on the web.

So for you people I will reveal a few of my favorites ones.

LINKS:
At the Courtesy of a good web friend of mine that I met in the artist network redbubble.com Namely thickblackoutline I can present a great site for reference to you.
thickblackoutline
is something of a specialist in everything Japanese art, and here art mirrors that.

One of her favorite places for reference to all that is Japanese art is this site here:Chikanobu and Yoshitoshi Woodblock Prints
The next tip I have for you is from one of the most admirable initiatives on the entire web…..in the entire world come to think of it.
I am of course talking about the Project Guttenberg.
This place is overflowing with great reference material, and it is all for free (you also find a lot of other handy stuff in here, but that is for another post all together).
Here is a couple of the best ones:

The Brochure Series of Architectural Illustration.

Architecture.

Children’s Picture Books.

Art.


The list goes on. All you have to do is dig.You will not run in to the picture at once you hit these links, but just dig away and you soon hit gold….I guarantee it.

Architecture is a something most illustrators run in to sooner ore later, most likely sooner.
This next link I have for you is a great reference if you look for city landscapes from the turn of last two centuries (1800 – 1900).
I use this site a lot in a new comic/video production I am involved in at the moment. The story is in big parts taking place in Europe around 1800. The link is:

carfree.com.

Like I said I am working on a project taking place in the early 1800 in France. So I don’t get around Napoleon and his Grand Armè, Thus I have three very good links about thees times.
It is about the army and the weaponry and uniforms…:

Napoleon Online

Die Uniformierung der französischen Armee

Napoleonic Guide images

And for a good round up I have one more really top one, but it is also the most obvious one.
Maybe that is the reason so many don’t think of it when they need reference for a project.

The one I am talking about is of course Flickr.com
There isn’t the thing you can’t find a whole heap of great images of on the flickr, so bookmark that one on top of your list. It is the best one.

OK we are closing in on the end of this post, but before I leave you for now, I have two more links, but these are not so much for reference, but rather as inspiration. The first one is a real strange flower with the name of Luigi Serafini and his book “the CODEX SERAPHINIANUS”
I won’t spoil your experience by yapping about it, you just check it out my friends, and remember to keep an open mind on this one….wide open.


The very last link for this time is is one of my favorite blogs. It is called “Today’s Inspiration” .
I have been following this blog for a year now and I just love it.
The guy running it has a very great nose for finding old classic illustrations from old magazines and analyzing them.
Check him out you won’t regret.

That is my contribution for now, but grab my RSS feed and keep an eye on this blog, cos there will be more…lots of more. until then my friends… POS